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for SATB and organ or orchestra Novo profusi gaudio is a vibrant Christmas motet, setting a medieval text that combines English, Latin, and French words. This joyful account of the …
for SATB and organ Written to commemorate the 500th anniversary of the death of the Foundress of St John's College, Cambridge, this celebratory setting is jubilant, melodic, and …
for SATB with divisions, unaccompanied This setting of texts from Cymbeline and The Merchant of Venice, and Sonnet 98, is characterised by inventive textures and vibrant …
for SATB (with divisions) Translated as 'Shining with light', Luce coruscas sets a hymn for Vespers on the Feast of the Assumption, followed by the poem 'Herself a Rose' by …
Not no faceless Angel is a beautifully reflective work. Originally commissioned by Joy Hill and the RCM Junior Department, the work is a sensitive setting of words by Tanya Lake. …
for SATB (with divisions) unaccompanied Ruchill Linn sets a text by the Perthshire poet Robin Bell. 'Linn' means waterfall and the poem meditates on a still spring evening at dusk. …
for SATB (with divisions) unaccompanied Jackson's Holy is the true light sets a text translated from the Salisbury Diurnal that emphasizes the solace of faith in times of conflict. …
for SSATB unaccompanied Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 …
for SATB unaccompanied In this unaccompanied setting of a text by contemporary poet Thomas A. Clark, Jackson skilfully evokes the magical atmosphere of the onset of nightfall. This …
for ATBarB unaccompanied Ite Missa Est is a setting of the words used to conclude a communion service: 'The Mass is ended, thanks be to God.' The tenor's heraldic, melismatic …