Illustrering & kommersiell konst
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In 1956 Sylvia Plath wrote to her mother, Aurelia Plath: 'I feel I'm developing a kind of primitive style of my own which I am very fond of. Wait til you see. The Cambridge sketch …
'[Beardsley's] vision is permanently that of a child lying in bed watching his mother dress for a dinner-party... He is allured, yet afraid to touch: driven back on a cold …
'It was a wrong number that started it . . .'Chosen as one of the '100 Most Important Comics of the Century', Faber is proud to publish the graphic novel City of Glass for the …
By the end of this wordless novel, when the artist wakes and ends the nightmare, readers have experienced a visual thriller with political overtones.
Which nations have launched which animals into space? Which countries have no sea views? Where were our planet's now-extinct species last sighted? Who is behind the great avocado …
Thomas Bewick wrote A History of British Birds at the end of the eighteenth century, just as Britain fell in love with nature. This was one of the wildlife books that marked the …
As children, learning to read, we look first at the illustrations - but how do these tell their stories differently to the words? Words & Pictures explores this question through …
'[Beardsley's] vision is permanently that of a child lying in bed watching his mother dress for a dinner-party. His fantasy hangs this here, tries the effect of that there: …
Words & Pictures explores three fascinating examples of relationships between artists and writers: the illustrations of Paradise Lost and Pilgrim's Progress; Hogarth and Fielding, …