Filmteori & kritik
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The Grand Budapest Hotel and Moonrise Kingdom have made Wes Anderson a prestige force. Rushmore and The Royal Tenenbaums have become quotable cult classics. Yet every new Anderson …
Werner Herzog's protean imagination has produced a filmography that is nothing less than a sustained meditation on the modern human condition. Though Herzog takes his topics from …
Films like Welcome to the Dollhouse and Happiness established Todd Solondz as independent cinema's premier satirist. Blending a trademark black humor into atmospheres of grueling …
Todd Haynes's films are intricate and purposeful, combining the intellectual impact of art cinema with the emotional accessibility of popular genres. They are also underpinned by a …
For a director who has made a limited number of feature films over four-plus decades, Terrence Malick sustains an extraordinary reputation as one of America’s most original and …
Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, …
Auteurism expanded With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara …
Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same …
This survey of Sally Potter’s work explores her cinematic development from the feminist reworking of La Bohème in Thriller to the provocative contemplation of romantic …
A new take on an eclectic and controversial directorJames Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of …