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More than any other set of films from the classical era, the Hollywood film noir is known for its lighting: the cast shadows, the blinking street signs, the eyes sparkling in the …
Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across …
Performing the News: Identity, Authority, and the Myth of Neutrality explores a problem that is often overlooked in discourse on diversity, equity, and inclusion: Journalists from …
Making History Move: Five Principles of the Historical Film builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles …
Reel Kabbalah: Jewish Mysticism and Neo-Hasidism in Contemporary Cinema studies the ways in which fictional film in the first decade of the twenty-first century represents the …
Hollywood Unions is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the …
Best known for Aelita (1924), the classic science-fiction film of the Soviet silent era, Yakov Protazanov directed over a hundred films in a career spanning three decades. Called …
Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby …
Transparent made history as the first television show to feature a transgender character in the main role, as the first streaming series to win the Golden Globe for Best Television …
Cinema Under National Reconstruction calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing …