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Elektronisk, holografisk & videokonst
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Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural …
Die Publikation versammelt die Ergebnisse des künstlerischen Forschungsprojekts DIGITAL SYNESTHESIA (2013-2016) und stellt erstmals ein umfassendes Kompendium zum Begriff der …
The reflections on historical and contemporary positions assembled here shed light on concepts of temporalities in the context of artistic practices. In the 1960s and 1970s the …
Pandemic policies have been the focus of fierce lobbying competition by different social and economic interests. In Viral Lobbying a team of expert authors from across the social …
The artist, dancer and educator Suzanne Harris (1940-79) was a protagonist of the downtown New York City artists’ community in the 1970s. With her boundary-transgressing practice, …
This media history explores a series of portable small cameras, playback devices, and storage units that have made the production of film and video available to everyone. Covering …
How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking …
How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images …
At the beginning of the 21st century, new forms and dynamics of interplay are constituted at the interfaces of media, art and politics. Current challenges in society and ecology, …
Metaphors in audiovisual media receive increasing attention from film and communication studies as well as from linguistics and multimodal metaphor research. The specific media …