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Memory and Intermediality in Artists’ Moving Image
This book addresses the preoccupation with memory in contemporary artists’ moving image installations. It situates artists’ moving image in relation to the transformations of …
Barbara Hammer in the Seventies
Barbara Hammer in the Seventies: Or, What a Body Can Do addresses the intersection of experimental film, lesbian sexuality, and the women’s movement in Hammer’s early films. …
Durational Cinema
This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European …
Experimental and Expanded Animation
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has …
Experimental Film and Photochemical Practices
This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of …
Experimental and Expanded Animation
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has …
The Moving Image as Public Art
This book maps the presence of moving images within the field of public art through encounters with passersby. It argues that far from mere distraction or spectacle, moving images …
Darcy Lange, Videography as Social Practice
The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially …