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The Potsdam performance of Sophocles' -Antigone- in 1841 was an event of historic significance tantamount to a renaissance of Greek tragedy in the German theatre. In terms of the …
Franz Lehar (1870-1948), 'the composer most frequently performed within his own lifetime', still represents an unresolved dilemma for the historiography of music. In terms of …
In response to the onset of 'modernism' around 1900 we find in Vienna the emergence of the image of that city as the epitome of Gemutlichkeit and coziness. With its programmatic …
Alongside Wieland Wagner, Walter Felsenstein (1901-1975) was the most important opera director of the early post-war period in Germany. To this day, the dramaturgic preparation of …
The reception accorded to Jacques Offenbach's (1819-1880) stage works is traditionally dominated by concepts such as 'satire' or 'parody'. But the insistence on such categories …
From a drama studies vantage the attempt is made to situate Wagner's utopian vision of music drama in aesthetic terms. The central criterion drawn upon for the description of the …
Elvis, David Bowie, Alice Cooper, Marilyn Manson, Frank Zappa, Madonna: Die Geschichte der Popmusik ist immer auch eine Geschichte der Bühnenshows. Das Pop-Konzert als …
Die Studie widmet sich dem Musiktheater, welches mit seiner Formenvielfalt das Theater im deutschen Sprachraum zwischen 1680 und 1740 beherrschte. Den Schwerpunkt der Untersuchung …
Leonide Massine (1896-1979), next to Fokine and Nijinsky the moving spirit behind the Ballets Russes, collaborated with almost all the major artists of the age and is held by dance …