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Kunst- og designstiler: ca.1900 til 1.verdenskrig
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The art of Robert Rauschenberg (1925-2008) is usually viewed as quite distinct from Surrealism, a movement which the artist himself displayed some hostility towards. However, …
“Vive la Sociale”: This rousing, revolutionary statement, written on a bright red banner across the top of James Ensor’s Christ’s Entry into Brussels in 1889, served as a visual …
Central to the development of abstract art, in the early decades of the 20th century was the conception (most famously articulated by Walter Pater) that the most appropriate …
One of the most enduring and pervasive myths about modernist architecture is that it was white—pure white walls both inside and out. Yet nothing could be further from the truth. …
One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet his work remains some of the most …
Material Modernity explores creative innovation in German art, design, and architecture during the Weimar Republic, charting both the rise of new media and the re-fashioning of old …
This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most …
Art as Organism shows that the digital image was a rich and expansive artistic medium of modernism. Linking its emergence to the dispersion of biocentric aesthetic philosophies …
Jugendstil, that is Germany’s distinct engagement with the international Art Nouveau movement, is now firmly engrained in histories of modern art, architecture and design. Recent …
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound …