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Printing has become a common part of the ceramic artist's practice. From low-tech monoprints to digital laser decals, it is now possible to employ a range of techniques to print on …
Sawdust firing is a random and unpredictable technique which depends for its color and effect not on glaze, but on a direct relationship between clay and fire. This book …
In Introducing Pottery, international potter and teacher Dan Rhode shares more than twenty years of experience in a well-organized, fully illustrated volume. Rhode's comprehensive …
Slip, a form of liquid clay, has been used since ancient times to add color and texture to ceramics. This method of clay decoration, practiced from Rome to Mesoamerica, continues …
Dry glazes, also known as matte glazes, provide ceramic artists with an alternative to conventional glossy and transparent finishes. Potters such as Lucie Rie and Hans Coper …
Andean Ceramics brings together many important discoveries of the past decade, especially of production loci together with innovative methodologies for their analysis and …
The major essay by renowned art historian J. J. Brody traces the development of southwestern pottery from the prehistoric Anasazi through modern Pueblo. A section on pottery …
Traditionally potters fired their work either at low temperatures, as for earthenware, or at the high temperature that stoneware requires. However, a growing number of potters, …
Paperclay is an extremely versatile material for the contemporary potter. Now firmly established in the ceramics world, this mix of clay and paper fibers is remarkably flexible, …
Selected by Choice magazine as an Outstanding Academic Book for 2000 Chinese glazes have been admired throughout history for their extraordinary qualities and colors--not least in …