Filter
Filmteori og kritikk
Filter
Whether tall office buildings, high-rise apartments, or lofty hotels, skyscrapers have been stars in American cinema since the silent era. Cinema’s tall buildings have been …
The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based …
An interpretive history of Asian American independent media since the 1960sAsian American filmmakers and video artists have created a substantial, diverse, and challenging body of …
Though largely forgotten today, the 1949 film Pinky had a significant impact on the world of cinema. Directed by Elia Kazan, the film was a box office success despite dealing with …
Musical spectacles are excessive and abstract, reconfiguring time and space and creating intense bodily responses. Amy Herzog's engaging work examines those instances where music …
Investigates the fears and desires about sexuality and racial identity that shape film noir.Among the elements that define the classic film noir-chiaroscuro lighting, voice-over …
A cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and …
Marc Augé was eleven or twelve years old when he first saw Casablanca. Made in 1942 but not released in France until 1947, the film had a profound effect on him. Like cinephiles …
At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film—examining the ways in which writing bears on cinema. …
Formative writings by French avant-garde filmmaker Chris Marker It is hard to imagine French cinema without La Jetée (1962), the time-travel short feature by the reclusive …