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“Alien” has a double meaning in the United States, suggesting both “foreigner” and “extraterrestrial creature.” In Alienhood, Katarzyna Marciniak explores this semantic duality. …
Film and philosophy have much in common, and books have been written on film and philosophy. But can films be, or do, philosophy? Can they “think”? Film as Philosophy is the first …
How media shapes our actions and feelings about race Amid fervent conversations about antiracism and police violence, Media and the Affective Life of Slavery delivers vital new …
In the first The Man Who Knew Too Much, Alfred Hitchcock films a clay pigeon crossing the sky, a dark disc resembling a black sun. When the same work takes viewers into a temple …
A rigorous and imaginative inquiry into rhythm’s vital importance for film and the moving imageFocusing attention on a concept much neglected in the study of film, The Rhythm of …
The preoccupation with “depth” and its relevance to cinema and media studiesFor decades the concept of depth has been central to critical thinking in numerous humanities-based …
A cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and …
Cinema has been undergoing a profound technological shift: celluloid film is being replaced by digital media in the production, distribution, and reception of moving images. …
An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transitionTraditionally, the definition of political cinema assumes a relationship …