The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T144347

With indices and a list of subscribers in vol. 2. Reports on this work were issued in 1755 and 1791, and are entitled: 'The committee, appointed to conduct the publication of The antiquities and history of Northampton, ..' and 'Mr. Brydges's History of Northampton' which states that the work was printed at the Clarendon Pres in Oxford. The 'Proposals for printing by subscription, The history and antiquities of Northamptonshire' were issued in 1790?].

Oxford: printed at the Clarendon Press and] sold by T. Payne, London; D. Prince and J. Cooke, Oxford; and Mr. Lacy, Northampton, 1791. 2v., plates: port., maps; 2

The History and Antiquities of Northamptonshire. Compiled From the Manuscript Collections of the Late Learned Antiquary John Bridges, Esq. by the Rev. Peter Whalley, ... of 2; Volume 1 - sidottu, Englanti, 2018